Art and Religious Belief: Lessons for Contemporary Theory from Renaissance and Baroque Painting
DOI:
https://doi.org/10.5278/ojs.jos.v3i1%20&%202.1887Keywords:
somaesthetics, embodied creation and perception, simulacre, transfiguation, meliorist goal, sacred and profan love, embodied experience, Eros and Agape, the active viewerAbstract
The purpose of this paper is to address the relationship between art and religious belief in the Middle Ages, and particularly during the Renaissance and the Baroque. There is special focus on the themes of art as religion and embodied belief in Christian art in the Renaissance and the Baroque viewed in a somaesthetic perspective. These themes are analysed primarily through interpretations of the works by artists including Raphael, Veronese, Titian, and Caravaggio.Downloads
Published
26-09-2017
Issue
Section
Articles
License
Articles published in The Journal of Somaesthetics are following the license Creative Commons Attribution-NonCommercial-NoDerivs 4.0 Unported (CC BY-NC-ND 4.0). Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License: Attribution - NonCommercial - NoDerivs (by-nc-nd). Further information about Creative Commons
If excerpts, tables, figures, charts, artwork or photographs from other copyrighted works are included in an article, it is the author’s responsibility to obtain written permission from the copyright owners and credit the source’s in the article and citation list.