@article{Christiansen_2011, title={Body Refractions: Darren Aronofsky’s Black Swan}, url={https://journals.aau.dk/index.php/ak/article/view/2977}, DOI={10.5278/ojs.academicquarter.v0i3.2977}, abstractNote={<p><strong>Steen Christiansen’s</strong> article <em>Body Refractions examines Darren Aronofsky’s ’Black Swan’</em> and the notions of character identification and bodily transformation, arguing that the digital morphing of <em>Black Swan</em> suggests a different relation to the cinematic image, one which can only be understood in terms of affect rather than representation.<br>As we can see from this broad and diverse range of scholarship, despite a certain degree of transgression fatigue, the term remains critically viable and if nothing else maintains an openness to other alternatives, even as they strain to find their form.</p>}, number={3}, journal={Academic Quarter | Akademisk kvarter}, author={Christiansen, Steen}, year={2011}, month={dec.}, pages={306–315} }