Learning by Transforming

Widening Access to Complex Circular Economy Science using Experimental Design

Authors

  • Danielle Barrios-O’Neill Royal College of Art, United Kingdom https://orcid.org/0000-0003-1641-2512
  • Miriam Ribul Royal College of Art, United Kingdom https://orcid.org/0000-0002-0323-9020
  • Chiara Tommencioni Pisapia Royal College of Art, United Kingdom
  • Yiru Yan Royal College of Art, United Kingdom
  • Devanshi Rungta Royal College of Art, United Kingdom
  • Laura Selby Royal College of Art, United Kingdom
  • Xinyi Ren Royal College of Art, United Kingdom
  • Claudio Quintana Royal College of Art, United Kingdom
  • Roberta Morrow Royal College of Art, United Kingdom
  • Alexandra Lanot University of York, United Kingdom
  • Sharon Baurley Royal College of Art, United Kingdom
  • Simon McQueen-Mason University of York, United Kingdom

DOI:

https://doi.org/10.54337/plate2025-10353

Keywords:

Materialisation, Visualisation, Experimental design-science education, Biobased recycling processes, Textiles circularity

Abstract

This paper presents a pilot pedagogical project exploring the potential of experimental design methods to engage students with complex scientific concepts, by focusing on translating these concepts specifically for a public audience. Conducted within the UKRI-funded Textiles Circularity Centre (TCC) at the Royal College of Art, the project tasked design students with designing an experience that can communicate the science of biobased textile recycling, an emerging circular economy process that is complex and typically inaccessible for laypeople. Framed as a process of translation rather than mastery, the project integrated interdisciplinary, multisensory, and speculative design and teaching methods to engage with a range of ways of conceptualizing and communicating complex science to a diverse audience. Students worked closely with scientific researchers, engaging with scientific materials and techniques, including enzymatic recycling and bacterial cellulose production. Through iterative development, the students produced Catalyst, a multisensory installation that employs tactile interaction, visual displays, and soundscapes to create an interactive material simulation of biobased recycling. The study identifies three key pedagogical outcomes with potential for application in wider contexts: enhanced technical comprehension, emotional engagement, and learner agency. We discuss the relationship of multimodal design methods to whole-systems thinking and learning. We propose that interdisciplinary, multisensory methods for enhancing complexity-oriented learning and public engagement, and raise possibilities to scale the model to other contexts that involve communication of complex information, as it may be able to activate new forms of learning and public engagement.

Author Biography

Danielle Barrios-O’Neill, Royal College of Art, United Kingdom

Dr Danielle Barrios-O’Neill is a Reader in Immersive Art and Design at the Royal College of Art, where she also leads the MA in Information Experience Design. Her research background is in immersive and playful design, and especially how play can help us make sense of the complex systems we inhabit. She has created experiences and research in game simulation, extended reality, documentary and street games, designing interactive encounters designed to make large-scale systems legible, and to show that they are changeable. Her work has been published widely in academic journals, and she regularly collaborates with colleagues in the public and private sector on projects on design and education, with an eye on better futures.   Dr Miriam Ribul's research transforms biomaterial design practices within circular and regenerative socio-ecological systems. She nurtures interdisciplinary collaborations with academic and industry partners that integrate circular design, materials science, biological sciences, advanced manufacturing and environmental sciences. Miriam specified and developed the first Bio Lab of the MSRC for transdisciplinary material experimentation, and she leads the intellectual strategy of the Centre’s ‘invention of materials’ themes through research funding, PhD student supervision, management of PDRAs, and public engagement.

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Published

24-06-2025

How to Cite

Barrios-O’Neill, D., Ribul, M., Tommencioni Pisapia, C., Yan, Y., Rungta, D., Selby, L., … McQueen-Mason, S. (2025). Learning by Transforming: Widening Access to Complex Circular Economy Science using Experimental Design. Proceedings of the 6th Product Lifetimes and the Environment Conference (PLATE2025), (6). https://doi.org/10.54337/plate2025-10353

Issue

Section

Track 9: Education, Tools, and Games – Research Papers