Academic Filmmaking in the New Humanities. Video Essays • Vol 28
Academic Filmmaking in the New Humanities. Video Essays • Vol 28

The pair of special issues, Academic Quarter 27 and 28, evidences and interrogates the possibilities of filmmaking as research method, medium of scholarly communication and as a distinct mode of thinking in the academy. The first special issue (AQ27) contains eleven prose articles (four co-authored), while the second (AQ28) contains ten video essays (some composed of multiple individual videos), and guiding texts (five co-authored). The primary aim has been to bring together practitioners and scholars of filmmaking research, academic film and videographic criticism from across a range of disciplines to consider the affordances and challenges of filmmaking as means and medium of investigation and communication. This second special issue has also been conceived to debate and to demonstrate how the video essay can work as a scholarly form.

Full Issue | Hele nummeret
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Libertad Gills, Catherine Grant, Alan O'Leary
4-17
Academic Filmmaking in the New Humanities. Video Essays.
https://doi.org/10.54337/academicquarter.i28.8952
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Ariel Avissar
18-24
“This Is Not What I Normally Do” : An Insignificant Step in the Downfall of the Humanities
https://doi.org/10.54337/academicquarter.i28.8853
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Barbara Zecchi
25-34
An accented video way of thinking: Becoming videoessay
https://doi.org/10.54337/academicquarter.iVol%2028.8852
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Samantha Close
42-47
Feeling Our Way Through the Spectrum of Videographic Criticism
https://doi.org/10.54337/academicquarter.iVol%2028.8850
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Nina Jones, Jemma Saunders, Ella Wright
48-56
Identities and Methodologies of Doctoral Candidates Undertaking Audiovisual Research-by-Practice
https://doi.org/10.54337/academicquarter.iVol%2028.8849
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Maud Ceuterick, Carola Ludovica Giannotti Mura
57-64
Academic filmmaking and its discontents: In between videographic criticism and visual anthropology
https://doi.org/10.54337/academicquarter.i28.8840
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Paul Cooke, Stephanie Schwandner-Sievers
65-74
Attempting an Ontology of Participatory Film
https://doi.org/10.54337/academicquarter.i28.8839
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Paul Newland
75-81
The Participants: Academic guiding text
https://doi.org/10.54337/academicquarter.i28.8838
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Sebastian Wiedemann, Verónica Naranjo-Quintero
82-88
Present Bodies. Emancipated Voices: Or, how to relocate bodies in thought
https://doi.org/10.54337/academicquarter.i28.8837
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Laura Dávila Argoty, Valentina Giraldo Sánchez
89-96
Towards an Ecology of Practices in Academic Filmmaking: Speaking nearby Ana Vaz, Javiera Cisterna and Sofía Gallisá
https://doi.org/10.54337/academicquarter.i28.8836
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